I found the reference image of these pebbles in water on Paint My Photo, using only a small, cropped section of the picture. I used Neocolor II watersoluble crayons by Caran D’Ache. One thing that’s so neat about the crayons is that you can draw with them, which is what I did initially, but then use a brush on the crayon to pull off extra saturated pigment to add in the darks, highlights, and details.
My all-time favorite horse artist is Sam Savitt, illustrator of hundreds of children’s books, articles, how-to’s, posters, and paintings. I was always taken with his art, even as a child, because he captured the beauty and inquisitive nature of all types of horses. I purchased his how-to book quite a long time ago, Draw Horses with Sam Savitt, and I highly recommend it for anyone interested in horse art.
I discovered he authored a Grumbacher how-to book on painting, The Art of Painting Horses. I guess it doesn’t matter that I don’t paint in oils or acrylics, I still wanted it. The thin paperback has five tutorials and was about $15 or so on eBay.
I used Neocolor II watersoluble crayons by Caran D’Ache for all of the tutorials. I first drew with crayons and then used water to paint them out from the base drawing. One tip I can pass along with this type of watersoluble medium is to draw in your initial layer thinner/smaller than you need. When you use a wet brush to activate the pigment, you’ll probably push the lines out, making the image larger. Plus, it’s far easier to make something bigger than take away.
All of these were painted in a Stillman & Birn Delta sketchbook.
Honestly, I would have never chosen to draw a polo match or a huge draft, but Sam Savitt loved all horses. Great inspiration and quite a challenge.
Other than the pony painting, I’m pleased with the pictures. They capture horses looking lovely and still but also in motion–some with funny-looking humans. (They’re not funny looking in his book, mind you.)
For those of you with an insatiable curiosity about Sam Savitt, there are two sets of videos on Youtube that may interest you even though the quality is poor. The first is a lecture, the second a demo.
Toned paper is more fun than I had imagined. I love practicing animal sketches from the old Walter T. Foster art books. They’re geared more toward oil and acrylic but I make do.
I keep practicing textures from the book 101 Textures for Colored Pencil:
Here’s the start of two metal point sketches, a little bunny and a mossy tree. I bit off more than I can chew with the tree, however. The detail is overwhelming. The bunny is on mineral paper, and the tree is on watercolor paper with the traditional silverpoint ground that came with my kit. I’ve found it’s very hard to photograph metalpoint because it’s shiny and reflects light.
For my birthday, I got this metalpoint kit from Natural Pigments.
It has a booklet, eraser, powdered grounds, stylus, and six points.
One contemporary artist working in metalpoint is Susan Schwalb. Her work is abstract and just about as shimmery as you can get.