Tag: bob ross

Water, Nature, Bob Ross

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I painted three 5″x8″ casein pages in my journal. The 140 lb. paper buckles a little with the paint. I’ve tried 300 lb. on a block, and it worked out much better, so I may need to swap over. This journals work okay for a journal, which is something I enjoy having, but I don’t think I can find one with 300 lb. paper.

With casein, I have to think differently than when I use watercolor. I find myself making some really muddy areas when I don’t wait for the paint to dry–it takes longer than you think, maybe up to an hour for some areas. I also highlight poorly. Another key difference is how different casein looks when dry–it can change the painting entirely. Learning all of those differences makes it super hard to swap back and forth, but I still try. I love casein and would like to paint with it more often.

A Bob Ross attempt, Bridge to Autumn. I had painted it in watercolor months ago, using an inexpensive, little paint kit that was sitting in my closet. In fact, it was my very first watercolor attempt when this art craze hit me. This painting looks block-ish. I’m most pleased with the background tall trees, but their vivid color ended up making it the focal point. The highlighting with white paint is kind of heavy.

In casein, I also painted this landscape based on a photo. I enjoy painting the clouds, even though I got heavy with the highlights. Grass remains a challenge.

And this casein, my favorite of the three, is based on another photo of barges on the Mississippi River. My husband took the photo. Using a ruler for the barges would have been smart.

Casein Sketches: Bob Ross

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Still trying to figure out how casein works, I decided to plunge in and paint a few Bob Ross landscapes. I’m trying to figure out how to achieve some realistic landscapes, and right now, they are blocky with few soft edges. I’m using the James Gurney six-pack of Richeson casein: titanium white, ivory black, Venetian red, yellow ochre, cobalt blue, and raw umber. Trying to mix green has been a struggle. Cobalt blue is cheerful and bright, and yellow ochre is brownish and dull. There are numerous shades of green in there, especially when adding in white and raw umber, but it’s challenging.

Also, I purchased some synthetic brushes (Simply Simmons) to use only with casein as I’ve read it can be super hard on brushes. You can see how I’m attempting to use a fan brush, something new for me–yikes! Something I’m really pleased with is the old-fashioned, matte look casein has when it dries. It’s so unique.

Categories: Art Bob Ross Casein

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