Tag: caran d’ache

Colored Pencils, Heated Up

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It stands to reason that something with wax in it will melt. Colored pencil as a medium is new to me and I’m still figuring things out, so I was pleasantly surprised one day to discover that my pencils seemed brighter and more vivid than usual. They also filled the texture of the paper evenly. What was happening?

We were having a heat wave compared to the cold winter weather. The temperature inside the house was over 77 degrees Fahrenheit, and my pencils were ever so slightly warmed up compared to normal, so the wax was melting with a light touch. This got me to thinking about things like encaustic art, and I came across a clever product created by artist Ester Roi called the Icarus Board, a heated surface meant to melt the wax in your pencil or oil pastel to produce smooth and rich color.

My makeshift heated surface. Those blacks were easy–one coat of black, one of dark purple. I blended them lightly with a blender pencil.

Icarus Boards are an investment, however, so I decided to try before I buy, and I took out a heating pad, set it on high, and started to color. I immediately noticed a difference in how the pigment acted. I didn’t have to do more than two layers to completely fill the surface. I haven’t spent much time using the heating pad, however, as a hard surface would be preferable, and I didn’t find having something like a baking sheet over it worked. Maybe a different heating pad that gets warmer would be an improvement. However, if someone wanted to get me an Icarus board for Christmas, I would hardly complain.

Some colored pencil artists use the pencil as a pencil, and it looks lovely and serene. The tooth of the paper shows, and it has its own distinctive look. Other artists like to fill in all the light color on the paper, making the pencils resemble paint. They either burnish by using multiple layers and firm pressure, use a blender pencil (usually a clear or gray wax), or use a solvent. I’ve tried all of the above, and so realize I lean toward using a pencil as a pencil or add in a blender pencil from time to time. I don’t care for solvents at all, and burnishing makes my hand and fingers ache even into the following day. However, something like a heated surface may help if I ever decide to head in other directions.

Another option is to use an underpainting of a different medium and draw with colored pencils over it. I’ve tried this many times and enjoy it. I recently tried the amazing tutorial by Ester Roi of four pebbles to get that heated look. My underpainting was Neocolor II, and I used some Derwent Coloursoft pencils over the top. I’m convinced I can achieve a blended look with Neocolor II pastels as they provide a rich, smooth background once blended out with water. I know a heated drawing surface is a superior tool, but in the meantime, I’ll play with crayons.

Colored Pencil Barns

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I finished this 9″x12″ colored pencil drawing based on a photo I took of one of my favorite farms. I started with a piece of Strathmore 500 Bristol Vellum and a light, complimentary watercolor wash–orange on top and purple on bottom–and then covered the entire thing with colored pencils (Caran D’Ache Luminance). The sky has about six or seven layers of different shades of blue, but the light orange still shows through as little glowing dots. I’m trying to decide if I like this effect and if I should stay away from complementary colors when it comes to an underpainting. It certainly gives a moody effect. I’m really pleased with this. Sometimes I think I could be content painting only barns and horses.

Colored Pencil Workshop with Allan Servoss

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I spent three fun, creative, and inspiring days attending a colored pencil workshop with the wonderful artist Allan Servoss, an amazing teacher with a wealth of experience to share. The workshop was held at the Heyde Center for the Arts in Chippewa Falls, a location I can’t say enough nice things about.

Colored pencil is a new medium for me, and I had been looking forward to learning from a master artist ever since I bought my pencils a month or two ago. He started with what seemed a simple task–draw a leaf–and he brought in leaves for us to choose from. I learned quite a bit about light layering, sticking with a limited palette, and adding shadows. My leaf was a bit busy as I fell back into my habit of cluttering up the image, but I was pleased with how it turned out.

The medium of colored pencil isn’t a fast one–I stuck with my leaf much of day one. Days two and three focused on negative space and using graphite over colored pencil. Even though Allan demoed and taught techniques, we also discussed the creative process, other artists and their works and writings, material selection, and the benefit of hard work throughout the entire workshop.

I started this iris drawing on day two but didn’t complete it until I got home. I think I muddied up the background, but I’m still happy with it. I began with a background “wash” of yellows and oranges, a process he demoed that takes a great deal of time. I lightly drew in the iris and then began the background, using the negative spaces as the darkest areas. Once I finished the iris itself, the main struggle was creating a dark background.

I’m hoping for a second workshop in the future, but in the meantime, I have more than enough to think about and practice.

Pete Sketches

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I took a whole slew of photos of my horse the other night as he fussed and played with the other horses in his pasture. I tend toward taking pictures of him as he looks directly at me or grazes–in other words shots of him not moving–but I think it’s time to put more motion into my practice. Even the blurry shots are useful, and I plan on doing a whole series of various Pete sketches that take less than 30 minutes to complete.

I’m loving the gray toned Strathmore sketchbook, which is what I used for the first sketch. The second set is on a light cream color which isn’t as useful for his bay roan coloring. I lean toward choosing grays, dark blues and purples, and orange highlights, which work well on white or cool-colored papers.