I switched from acrylic paint for my backgrounds to Ampersand ink and I love the change. I can water down the ink without any issues, and they’re lightfast and archival. With this 6″x8″ piece, however, I went overboard with green and then spent most of my time either toning it down with colored pencil or sanding it off with a fiberglass brush. The beauty of Claybord is that I can use scratchboard techniques for detail and highlights, but using steel wool or a fiberglass brush can erase any mistake nearly down to the white surface. And here are some pictures of Pete having a good roll and then hightailing it back to me.
I followed the same process as my other Claybords by using an acrylic background, colored pencils for all the drawing, and scratchboard techniques for highlights and details for these two 6″x6″ pieces.
I’ve become fascinated with sketching birds, so I’m making an effort to learn more about them. Artist and naturalist John Muir Laws has numerous lectures on nature journaling, and I’d recommend them to anyone who wants to improve drawing animals, trees, insects, etc.
Some very, very fast equines (and goats).
Some fruit, heavily burnished.
The photo shows a handsome crow. My sketch makes it look a bit heavy.
Most of the animal photos I’ve been using come from Paint My Photo.
Many of my quick sketches are in a Strathmore gray toned sketchbook using a set of Prismacolor pencils bought twenty years ago. They’re no longer made by Berol, so once I use up this set of twelve, they’re gone. And that white is very nearly gone. I have Caran D’Ache Luminance and Pablo sets, so I’m in no way suffering for lack of fine pencils, but it will be sad all the same.
My second iris drawing, this one on gray paper.