These miniature pieces measure just 2.5″ x 3.5″. They’re the same size as a wallet photo, just a little bigger than a business card. They’re on Ampersand Claybord tiles, and I used ink, colored pencil, and scratchboard techniques. I have a feeling this is my new favorite thing, creating very small paintings.
Sam Savitt is my favorite horse artist. Known mostly for his children’s book illustrations, I think he captured horses so beautifully, with an effortless style envied by other artists.
For over four years, I’ve admired the paintings and drawings being sold by Sam Savitt’s children. I couldn’t muster up the courage to purchase anything until this lovely pencil sketch wouldn’t leave my mind, and I decided it could be a wonderful Christmas gift this year. Luckily, my husband agreed, and all of a sudden, after four years of dreaming, I own an original Sam Savitt drawing.
I had it professionally framed, and we love it. Instead of hanging it in my office, we decided it should be hung where we can see if off and on throughout the day. Honestly? The framing cost more than the sketch, but it’s worth it. This is one of those presents that I’ll cherish.
My annual summer slump hit hard in July, and I didn’t draw anything until a few days ago when I got the urge to sketch my husband’s horse, Banner. I did a fast sketch of this pose awhile back and wanted to try again.
I love using Tombow Mono pencils. The darks are very dark, and the lights are crisp. I think I only used the 2H, H, B, and 3B pencils on this drawing, so I doubt I’ll buy the entire set when I’m ready for replacements.
I started with a grid and sketched in everything very lightly and fairly unevenly with an H pencil. I then used the pencil nearly on its side with the lead at a flat angle to avoid sharp lines and to create a foggy, vague feeling. I kind of think of this stage as creating a grissaille even though it’s a graphite drawing. I used a smudge stick to lightly blend everything, mostly to cover the white areas. This step isn’t in the photo.
I swapped to a B pencil and added darker shadows. I then selectively smudged areas that are supposed to look soft, like the nose, under the eye, and some soft darks like the mane.
Lately, I’ve been adding in the eye at a later stage than I used to. So often when I draw or paint, I want to change things around or fix proportions, but having the eye nearly finished keeps me from big changes. Adding it in later allows me to be more creative with the full drawing.
Then I used my darkest pencil, the 3B. Tombow makes a darker leads, but on this paper, I like to stick with this one to keep from too much unintentional smearing. I drew in the eye at this point and focused on the nose. I also enhanced the darkest darks.
Finally, I get to the details. I used the hardest pencil that I’ve pulled out from my set, in this case the 2H. This is a fun stage because I get to pull out highlights and tidy up edges with a variety of erasers, and add in delicate details like the mane.
Using graphite pencils on this smooth surface was a challenge. I sprayed it with fixative about halfway through to be able to add a few more layers of pencil. One nice thing about Ampersand Claybord is being able to scratch out highlights.