I switched from acrylic paint for my backgrounds to Ampersand ink and I love the change. I can water down the ink without any issues, and they’re lightfast and archival. With this 6″x8″ piece, however, I went overboard with green and then spent most of my time either toning it down with colored pencil or sanding it off with a fiberglass brush. The beauty of Claybord is that I can use scratchboard techniques for detail and highlights, but using steel wool or a fiberglass brush can erase any mistake nearly down to the white surface. And here are some pictures of Pete having a good roll and then hightailing it back to me.
Yes, it’s a still a bird but at least I broke my streak of posting fountain pen sketches. This time around a used a Wikimedia Commons photo and my Inktense pencils and blocks. I’ve used Inktense a lot but almost always as a background with pastels or colored pencil layered over it. I had forgotten how wonderful they are to use from beginning to end. They layer beautifully, create interesting washes, and the white can be as translucent or opaque as needed–a real treat for someone who’s always struggling with saving white paper for highlights.
I love how this crow turned out and wish I would have gone to the trouble to use better paper with this one.
I’m still on that drawing-birds-with-ink-and-using-a-wash kick. I bought a second Wancai Moonman Mini fountain pen, this time filling it with Noodler’s Apache Sunset ink, also water soluble.