Both using Golden High Flow Acrylics on Strathmore 400 acrylic paper.
I experimented with painting one on a golden background and the other with a gray underpainting. Both methods created unusual effects. The golden background definitely made the painting bright and crisp. The gray underpainting looked nearly done on its own. I added several layers of paint, but I’ve learned to test colors first for transparency as some of the shadows were blotted out and needed repainting.
This one started as a winter scene but I honestly got confused with adding snow, so I swapped back to warm weather. I used two reference photos from Paint My Photo, and the branches and leaves were from observing the crab apple in our yard–with plenty of artistic license.
I used a piece of Strathmore 500 Illustration Board for this, and I absolutely loved it. It’s sturdy, takes water, and has a very minimal texture. Expensive? Yes, but it’s perfect for this medium.
Some fruit, heavily burnished.
The photo shows a handsome crow. My sketch makes it look a bit heavy.
Most of the animal photos I’ve been using come from Paint My Photo.
Many of my quick sketches are in a Strathmore gray toned sketchbook using a set of Prismacolor pencils bought twenty years ago. They’re no longer made by Berol, so once I use up this set of twelve, they’re gone. And that white is very nearly gone. I have Caran D’Ache Luminance and Pablo sets, so I’m in no way suffering for lack of fine pencils, but it will be sad all the same.
Three fast sketches on gray toned paper.