Snowy Sparrows
I kept tinkering and now there’s fresh snow on my sparrow oil pastel drawing (or painting—don’t know which is correct).

For comparison, here are the two versions. Is it done now?

I kept tinkering and now there’s fresh snow on my sparrow oil pastel drawing (or painting—don’t know which is correct).

For comparison, here are the two versions. Is it done now?


I let it sit for two days and decided it needed more detail with the birds, shadows everywhere, and a bit more bright color. Today, I spent an hour doing all three things. Is it done? Probably not, but when I start “fixing” things but then wish I hadn’t, it’s time to stop.

At this point in a painting or drawing, I generally feel halfway done. The painting is blurry, full of mid tones, and has an unfinished feeling.

I’m using oil pastels, and I’ve found that things can go really bad when I’m at this stage. Adding in more layers can create a heavy, dull look. Putting in the darkest shadows can suddenly create weird purples or blues, and relying too much on black can be overwhelming.

When I return to this image from the start of it all, I can reassess what I’d like the finished piece to look like—a complicated set of branches with sparrows peeking out here and there, a big sky behind it all, and a focus on texture and pattern.
Best to leave it alone to see if this is still what I’d like to achieve. Letting a piece sit for a few days is the best way to figure out where you are.

A corner of our living room today. In the winter, we get bright light from the low sun even when it’s overcast like it is today. The vase is from our wedding—30 years old!