Category: Art

Six Songbirds in the Christmas Spirit

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Ink on Stonehenge Aqua, 140 lb., finished with Spectrafix Final Fixative and Natural Glass and mounted on mat board.

In the end, these six ornaments turned out great–but I would not recommend using Spectrafix Natural Glass as an adhesive. As a varnish, yes, but as an adhesive, no. Most of the paper pulled away from the mat board, and I ended up using Tacky Glue instead. The star, the Cardinal, is still questionable because I never found a good way to put it on the tree, which is a gigantic Norfolk Pine we’ve had for years and years and is now 6′ tall (including the pot). I also made a Downy Woodpecker, which turned out great.

One last lesson to remember–getting these to dry flat is difficult was they stuck to the glassine paper. I had to carefully peel it off before they were totally dry, and as a result, some of these have a wavy look.

Categories: Art Ink Pen

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A Great Idea or a Big Mistake

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If a three-day art class exists on how to finish artwork the same way there are dozens of three-day art classes on how to create artwork, and if this class focused on pencil and water media works and taught the various ins and outs of framing, varnishing, alternative methods of varnishing, storing, and so on, I’d take it. It seems I only learn by failing, and my latest project is starting to feel like a big lesson in what not to do.

I started with a piece of watercolor paper (140 lb., Stonehenge Aqua) stretched on a watercolor stretcher board. I created a moody background in ink and proceeded to sketch six songbirds, thinking I’d create Christmas ornaments. I drew a woodpecker, too, and completed all of this drawing, which took a week of evenings, with a Cardinal for the “star.”

The drawing part I’m comfortable with, but then the questions begin. Can I use acrylic on paper and alongside ink? Should I use a fixative first? How will I “finish” these so they can be hung on a tree? After watching a very informative video about the Spectrafix products (Final Fixative and Natural Glass), I dove in. I sprayed fixative a few times before drawing in the gold ornaments and stars with an acrylic marker. I then brushed on three coats of Natural Glass over everything. After it dried, I adhered the birds to mat board and attempted to sandwich yarn in between for hangers.

Did it work? As it’s all still drying, tune in next time to find out…

Blue Jay in Ink

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9″x12″, ink and gel pen on Stonehenge Aqua hot press watercolor paper.

This Blue Jay was calling over and over in our crab apple tree the other day. I could hear another answering back from across the neighborhood, and I don’t know if they were telling each other about the food at the feeders or if they were saying hello or if they were saying stay away, these peanuts are all mine.

I nearly gave up on this drawing after realizing I had made the bird too big for the frame, which I had already drawn in pencil and it wouldn’t erase. After considering it for a day, I simply let the tail push past the lines. I also went a little bit overboard on the white gel pen, which I can’t seem to give up with ink drawings.

Categories: Art Ink Pen

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Pen and Ink Fawns

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9″x12″, ink and gel pen on Strathmore 500 illustration board. I’ll probably add more to the border after I take a break.

If the fawn looks familiar, it’s because I’ve been using the photos I took from two summers ago. I happened to take several dozen of this lone fawn, but I keep using them because it was such a magical day.

I”m using brown de Atratmentis document ink. My line work for animals needs some work.

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