Charcoal Winter Landscape


Black and white art is cool. It’s dramatic. It’s dynamic. It’s expressive. It’s also messy. But I love it.

It took numerous sketches to find a look I liked. With the Blue Jay drawings, I finally found it. I started with a very blurry vine charcoal image, blended it out with a brush, refined it with erasing, and added details with a carbon pencil. The softness comes from blending and using a touch of powdered charcoal with a brush. I use a white charcoal (chalk or pastel) pencil, too, but haven’t yet found one I like.


I kept tinkering and now there’s fresh snow on my sparrow oil pastel drawing (or painting—don’t know which is correct).

For comparison, here are the two versions. Is it done now?


I let it sit for two days and decided it needed more detail with the birds, shadows everywhere, and a bit more bright color. Today, I spent an hour doing all three things. Is it done? Probably not, but when I start “fixing” things but then wish I hadn’t, it’s time to stop.
