Like many artists who use water media, I’ve developed a persistence in searching for a way to display finished works without using glass. There are some clever and complicated ways of doing this like adhering the paper on a wooden panel, then fixing it, sealing it, etc. I gave that a try a few times, but I found the process fraught with error (on my part). So many steps equals so many opportunities for mistakes.

Recently, I was thinking about how much I like working on smooth surfaces, and I recalled that Ampersand Claybord is actually made for inks. And, conveniently, I just happened to have eight 6″x6″ panels waiting for a project. So, here goes–a new series of critters and perhaps botanicals on Claybord. Once I’m done, I can use a fixative spray and perhaps a varnish and then they can be mounted in a frame without glass. Very cool. You’d think I’d remember this because I did a series of Claybord ink and colored pencil drawings and paintings a few years ago, and they’re still on my wall. But yet again, I’m reminded of how often I need to relearn the same lessons.

One truly unique thing about Claybord is you can scratch out highlights, one of the most rewarding parts of using it, and it solves one of the most frustrating problems about Claybord, which is how liquid pools and can leave hard edges. Take out the exacto blade or the fiberglass brush and viola! Problem solved.