Author: horsenettle

Claybord Birds

2 Comments

These are both 6”x6” Ampersand Claybord panels with ink for the backgrounds and a combination of graphite, ink, and scratchboard techniques for the birds and branches. I can use a spray varnish on these and simply pop them into a frame, which is a real plus when using a surface like Claybord.

I love using this type of surface compared to paper because it’s both an additive and subtractive process. I add in colors, shapes, and values, and then I can scratch and erase detail and highlights. With these two birds, I used graphite for shadows and dulling some of the bright white lines that happen with scratching.

Travelers Journals

No Comments

I’m going back to my travelers notebook theme this year, using the smaller passport size for daily sketches, birding notes, and an exercise log. The larger, A5 journal has one booklet of sketch paper, one of multimedia, and one general notebook for art notes. My pencil is the Tutto 3 mechanical pencil with three different lead sizes and types, a .3, .5, and .7. So far, I’m loving this system, and I hope to stick with it for a year.

Etched Single Sheets and Infinity Pencil

No Comments

This Infinity pencil is supposed to last a long time. Is it compressed graphite, a mix with some type of metal? I don’t really know. It writes like a very light H pencil on regular paper, but it does a fantastic job on stone paper, which makes me think there’s metal in the nib. I drew these birds with this one pencil, and it shows the variety of tones I can get on this Etched paper, which now comes in single sheets.

Red Collie Paper Stretcher

No Comments
I started with a 9”x12” sheet of Stonehenge Aqua hot press watercolor paper, but ended with a 7.5”x10.5” image.

I love this paper stretcher made by Red Collie. I ordered mine on eBay, and it took about three weeks to arrive. It’s easy to use and the paper stays really flat. I wish I would have bought a few more sizes as you lose about 3/4” on each side where the paper is clamped.