Author: horsenettle

Fountain Pens and Sparkling Ink

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Ink and wash in a Stillman and Birn Zeta sketchbook. This mourning dove had just left the nest. The parents checked it often, and after a few weeks, it was able to fly away confidently.

I’ve drifted back to ink after a few weeks with acrylic. Since I stopped painting watercolors, I’ve also stopped keeping sketchbooks other than a place to practice rough pencil drawings. The other day I realized I wanted a good, old-fashioned sketchbook, a place for all kinds of sketches using all kinds of media. The only rule would be that I plan the sketch first, so, hopefully, the sketchbook would become a kind of final project on its own.

I filled my Moonman M2 fountain pen with De Atramentis document ink in black. It’s perfect to use with washes because it’s waterproof.

I’ve used Stillman and Birn sketchbooks before, and they offer sturdy paper in multiple surfaces, sizes, and bindings. I chose the hardcover Zeta in the largest format, 8.25”x11.75”. The surface is smooth enough for pen and ink but heavy enough for multiple washes.

Christmas this year has a distinctive pen and ink theme.

Within the pages of a sketchbook I can use any media and not worry about lightfastness. Suddenly, all the beautiful, dye-based inks are an option. I can put down a line drawing in permanent ink and use washes of brilliant, colorful ink over the top. I can also use acrylics, watercolor, pencil, and pretty much anything that strikes me.

Christmas this year has a pen and ink theme, and I’m starting a collection. I pulled out my existing pens (two Moonman minis, one Moonman M2, and a Sailor fude) and I’m adding a Twsbi Eco-T, a Moonman with a glass nib, and a dip pen with many nibs. Because I can never make up my mind, I bought two sample ink sets from Goulet pens, one consisting entirely of inks that sparkle. They’re lovely.

Acrylic Markers

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Something about a pony brings out the creativity in me. This one measures 12”x9”. It’s on Yupo paper.

As my marker journey continues, I thought I’d give acrylic a try. Why? Opacity. Sometimes, I like to blot out layers, a little or even a lot. I also like permanent materials more and more.

I chose a set of 40 Arteza acrylic paint markers, mainly because of the price and the wide variety of colors. I learned a lot about these markers after four hours of painting/drawing this pony. Here are some tips:

  • Nibs: This set comes with a round nib in each marker but has replacement chisel nibs for all 40. I learned quickly that the chisel nib was perfect for me—quick laying down of color using the flat edge, and a fine line with the tip. Too bad I had tested them all with their original nib, but it’s incredibly easy to swap.
  • Initial paint flow: After watching a few YouTube videos, I was convinced I’d have to pump these markers a ton to get the paint flowing. Don’t. Simply depress them five to ten times, and then stand them upright. The paint will travel down the nib in a few minutes.
  • Chill out: Again, YouTubers led me to think one should depress the nibs not only numerous times to get paint flowing but also with a lot of pressure. You’ll likely ruin the nib if you do that, and it’s not needed. Just be patient and careful and it’ll work out.
  • Crazy amount of bright colors: These markers are probably used for crafting, drawing on metal, glass, stone, fabrics, etc., so the color choices lean toward cheerful, even fluorescent, not suited to my critters and landscapes. I’ve learned to put down a darker, solid color and layer it with the brighter choices. It’s one way to keep from using up my one brown, gray, and yellow ochre.
I removed all 40 nibs and replaced them with the chisel nib. Probably wasted a lot of paint.

I’m pretty enamored with markers, but I haven’t yet used them without also using a brush with some diluted paint. For the pony, I used Liquitex acrylic gouache for the background and shadows. Using a brush gives an expressive feeling I haven’t yet figured out how to achieve with just a marker.