Sami Band
Here’s a Sami pattern I wove this weekend. It has 13 pattern threads. I’m using a rigid heddle with shorter slots in the center for the pattern threads. I’m planning on making this into a backstrap–to use to weave more bands.
Author: horsenettle
Text and Commentary: Beryl Korot
I love this art installation, Text and Commentary, by Beryl Korot that explores weaving. It’s from 1976, and it runs about 30 minutes. She calls a loom a type of computer than can be programmed. Here’s an excerpt:
“Text and Commentary” at bitforms gallery nyc (2012) by Beryl Korot from bitforms gallery on Vimeo.
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And here’s a link with details about the project: http://www.bitforms.com/korot/text-and-commentary
And an interview with Korot by Art 21:
Bandweaving Videos
There are a slew of wonderful how-to bandweaving videos out there, primarily by weaver Susan Foulkes, who focuses on pick-up style Sami bands. She often uses a special heddle that has extra slots (a Sunna or Sigga heddle) or extra holes (a Beaivi heddle) for pattern threads; however you may also use any rigid heddle or even an inkle loom to create the same type of band. There are a number of great videos on her Youtube channel:
Five Ways of Weaving Narrow Bands:
Weaving Narrow Warp Faced Patterned Bands (This one uses a regular rigid heddle, not one with extra slots or holes):
Norwegian Pick-Up Bandweaving
My new favorite book is Norwegian Pick-Up Bandweaving by Heather Torgenrud (2014). It focuses on everything I like about weaving: the history, the color, the texture, and the process. Plus, there are dozens of patterns. If you have an interest in weaving Nordic-styled pick-up bands, well, here’s your book. Using a rigid heddle with a backstrap setup, this style of weaving produces sturdy, vivid, and cheerful bands which were once used around the house for things like belts, shoe laces, baby swaddling, package ties, and clothing decorations. Heather Torgenrud’s book is that type of reading that gets to the heart of an important style of weaving, a delightful discovery for someone like me, the weaver who likes to know.
I’ve had an interest in this style of band weaving ever since, over four years ago, I discovered a treasure in an antique shop, a Norwegian rigid heddle, or bandgrind:
Isn’t it gorgeous? Hand carved, it may have been a traditional courting gift from a young man to a young woman. It was most likely used with the decorative top hanging downward although I’m not positive about that. At the time, I wasn’t certain what it was other than a little loom, and it took some research to come across the explanation. Although you can use a band loom on a regular frame loom, they were normally used with one end of the warp tied to something sturdy like a doorknob and the other end secured around the weaver’s waist, backstrap style.
I love the portable nature of band weaving, and currently I’m looking forward to receiving a “slotted” rigid heddle, which is useful for weaving patterns. Although I love my antique band loom, I don’t dare use it, so in the meantime, I’ve been using my small Ashford Sampleit loom for some practice. Here’s a seven-thread band with embroidery and crochet cottons:
