Category: Acrylics

Fifteen Years Blogging

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How many can claim a fifteen-year old blog? Happy anniversary to this little corner of the web where I’ve documented all the arts and crafts I’ve obsessed about since 2006. Even with that strong blogging habit, at some point over the past year I slowed down on blog posts and increased Instagram posts. Instagram is easy and popular, and it’s all too easy to forget about writing. Recently, I decided I missed keeping up this ancient blog and it needed an update—and perhaps Instagram needs to go away. Long story short, you cannot control reels on your feed, and I found many objectionable.

So, here’s an update on the ol’ blog. I’ve not been as artsy lately, but I’ve still managed several sketchbook sketches…

Caran d’Ache Neocolor II
Mars Lumograph Black pencils
Pen and ink on gray paper
More pen and ink, plus some water soluble graphite
Acrylic markers, Inktense, and Neocolor II

I also sketched this large landscape using Derivan Liquid Pencil tinted with blue and yellow.

Graphite, liquid pencil, Mars Lumograph Black, and Conte Pierre Noir. This measures about 14”x21”

A quick pen and ink landscape…

And a still life on Pastelmat.

Neocolor II and Pablo colored pencils

Here’s the question: Will this little blog still be here in another fifteen years?

Birds on Claybord

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I followed the same process as my other Claybords by using an acrylic background, colored pencils for all the drawing, and scratchboard techniques for highlights and details for these two 6″x6″ pieces.

I’ve become fascinated with sketching birds, so I’m making an effort to learn more about them. Artist and naturalist John Muir Laws has numerous lectures on nature journaling, and I’d recommend them to anyone who wants to improve drawing animals, trees, insects, etc.

Some very, very fast equines (and goats).

Claybord Ponies

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Like the bunnies I drew last week, I spent all my art time this week working on another Ampersand Claybord. This time, ponies!

I’m fascinated with Claybord and how both the Golden High Flow Acrylics and the Derwent Drawing Pencils work on the surface. What seems far too vivid and strong with the acrylic paint at first, mellows into a rich and earthy palette once I add the Derwent pencils. Adding the scratching gives it an old-fashioned look, something I didn’t even know I wanted.

I start with a rough sketch on paper, sample it again on mineral paper and add in some scratching to see how it works, create a background in the Claybord panel (6″x6″) with acrylics, and then lightly draw in the subject, swapping back and forth between pencils and scratching until it feels done. I didn’t plan any background with this one but let it develop from the colors, lights and darks. I had no idea these two little ones would be in a meadow when I started out.