Tag: horse

Photo References and Proportion

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9”x12” charcoal and carbon sketch on Stonehenge paper

I nearly always draw using a photo reference, the only way I can achieve a likeness. Well, maybe I achieve a likeness when I draw from real life, but a photo helps immensely.

What a photo often results in, however, is distortion. I know my horse well, and even though the above sketch I completed resembles him and even resembles the photo, it isn’t quite Pete. Pete is a Standardbred and has a rather long, Roman nose. This photo, taken about 20 feet away from him and zoomed in, created a foreshortened effect and his nose looks more like a Quarter Horse. If I were more experienced, I could change this to make it more Pete and less distorted photo.

Along with photo effects, I have some odd habits with drawing horses. I tend to place the eye too high and make the nose too wide pretty much every time. Believe it or not, I’m not trying for a photo real effect. My goal is to capture a likeness in an artistic manner. I don’t wish for my art to look like a photo, but I do hope people can look at something I’ve drawn and say, “Hey, that’s Pete!”

Categories: Art Pastel Pencil

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Pen and Ink and… Watercolor?

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My reference photo was blurry, taken in low light after the sun went down. Instead of putting in a detailed background and adding a lot of contrast to the deer, I kept everything soft.

Honest-to-goodness watercolor, something I set aside years ago in favor of pencils and fountain pens. I’m getting ready for a watercolor workshop, so I bought a few new brushes, some M. Graham watercolors, and tried a new paper, Canson rough. I think the break was needed. I’ve spent a lot of time sketching and taking a design course in embroidery, and I have a different process than before. It’s funny how much I enjoyed painting these deer, but using a brush! That will take some getting used to.

The truth is, only on occasion do I use fountain pens with sharp line work. Most of the time, my pen and ink sketches look like watercolor.

Pen and ink in a Strathmore 500 sketchbook. This is a rooster who lives at our new boarding stable. He’s a friendly fellow.
Monochromatic but still watercolor-ish. Pete, drawn with Monteverdi Blue Azure and the amazing Sailor Realo with a Zoom nib, my all-time favorite pen.

Good News, Bad News

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Banner and Snip

Bad news first: our boarding stable is closing. We’ve been there for fifteen years. Finding a new place was nerve wracking.

Good news: we found a place. Whew! It’s not as easy to find a boarding stable nowadays as it was way back when. There just aren’t as many operating anymore.

More good news: the new place has lots of critters to paint and draw.

More bad news: we’ll be saying goodbye to Snip, the sweetest kitty, a barn cat in her teens who loves horses and people.

I’ll miss you, Snip.