Phenology Art

I went to a workshop that focused on nature drawing, and I decided to turn mine into a seasonal painting. October, done! I’ll wait until January until I revisit it.


I went to a workshop that focused on nature drawing, and I decided to turn mine into a seasonal painting. October, done! I’ll wait until January until I revisit it.


I started using my fountain pen with black ink to add some line work to this sketchbook. In some cases, I gave up on adding any color at all, preferring the dramatic effect that ink brings to white paper.


My summer art drought continued throughout August. Finally, I used Derwent Graphitint pencils and Faber Castell water soluble graphite for this quick drawing.

My annual summer slump hit hard in July, and I didn’t draw anything until a few days ago when I got the urge to sketch my husband’s horse, Banner. I did a fast sketch of this pose awhile back and wanted to try again.
I love using Tombow Mono pencils. The darks are very dark, and the lights are crisp. I think I only used the 2H, H, B, and 3B pencils on this drawing, so I doubt I’ll buy the entire set when I’m ready for replacements.

I started with a grid and sketched in everything very lightly and fairly unevenly with an H pencil. I then used the pencil nearly on its side with the lead at a flat angle to avoid sharp lines and to create a foggy, vague feeling. I kind of think of this stage as creating a grissaille even though it’s a graphite drawing. I used a smudge stick to lightly blend everything, mostly to cover the white areas. This step isn’t in the photo.

I swapped to a B pencil and added darker shadows. I then selectively smudged areas that are supposed to look soft, like the nose, under the eye, and some soft darks like the mane.
Lately, I’ve been adding in the eye at a later stage than I used to. So often when I draw or paint, I want to change things around or fix proportions, but having the eye nearly finished keeps me from big changes. Adding it in later allows me to be more creative with the full drawing.

Then I used my darkest pencil, the 3B. Tombow makes a darker leads, but on this paper, I like to stick with this one to keep from too much unintentional smearing. I drew in the eye at this point and focused on the nose. I also enhanced the darkest darks.

Finally, I get to the details. I used the hardest pencil that I’ve pulled out from my set, in this case the 2H. This is a fun stage because I get to pull out highlights and tidy up edges with a variety of erasers, and add in delicate details like the mane.
