Pete and Banner on Claybord
I designed these two Claybord pieces as a diptych. Pete is on the left, Banner on the right.

I designed these two Claybord pieces as a diptych. Pete is on the left, Banner on the right.

I followed the same process as my other Claybords by using an acrylic background, colored pencils for all the drawing, and scratchboard techniques for highlights and details for these two 6″x6″ pieces.


I’ve become fascinated with sketching birds, so I’m making an effort to learn more about them. Artist and naturalist John Muir Laws has numerous lectures on nature journaling, and I’d recommend them to anyone who wants to improve drawing animals, trees, insects, etc.

Some very, very fast equines (and goats).

Like the bunnies I drew last week, I spent all my art time this week working on another Ampersand Claybord. This time, ponies!

I’m fascinated with Claybord and how both the Golden High Flow Acrylics and the Derwent Drawing Pencils work on the surface. What seems far too vivid and strong with the acrylic paint at first, mellows into a rich and earthy palette once I add the Derwent pencils. Adding the scratching gives it an old-fashioned look, something I didn’t even know I wanted.
I start with a rough sketch on paper, sample it again on mineral paper and add in some scratching to see how it works, create a background in the Claybord panel (6″x6″) with acrylics, and then lightly draw in the subject, swapping back and forth between pencils and scratching until it feels done. I didn’t plan any background with this one but let it develop from the colors, lights and darks. I had no idea these two little ones would be in a meadow when I started out.

Sketches:

And I used one sketch of Pete as the basis of a painting with water soluble graphite and graphite pencils:
