Tag: stillman and birn

Fountain Pens and Sparkling Ink

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Ink and wash in a Stillman and Birn Zeta sketchbook. This mourning dove had just left the nest. The parents checked it often, and after a few weeks, it was able to fly away confidently.

I’ve drifted back to ink after a few weeks with acrylic. Since I stopped painting watercolors, I’ve also stopped keeping sketchbooks other than a place to practice rough pencil drawings. The other day I realized I wanted a good, old-fashioned sketchbook, a place for all kinds of sketches using all kinds of media. The only rule would be that I plan the sketch first, so, hopefully, the sketchbook would become a kind of final project on its own.

I filled my Moonman M2 fountain pen with De Atramentis document ink in black. It’s perfect to use with washes because it’s waterproof.

I’ve used Stillman and Birn sketchbooks before, and they offer sturdy paper in multiple surfaces, sizes, and bindings. I chose the hardcover Zeta in the largest format, 8.25”x11.75”. The surface is smooth enough for pen and ink but heavy enough for multiple washes.

Christmas this year has a distinctive pen and ink theme.

Within the pages of a sketchbook I can use any media and not worry about lightfastness. Suddenly, all the beautiful, dye-based inks are an option. I can put down a line drawing in permanent ink and use washes of brilliant, colorful ink over the top. I can also use acrylics, watercolor, pencil, and pretty much anything that strikes me.

Christmas this year has a pen and ink theme, and I’m starting a collection. I pulled out my existing pens (two Moonman minis, one Moonman M2, and a Sailor fude) and I’m adding a Twsbi Eco-T, a Moonman with a glass nib, and a dip pen with many nibs. Because I can never make up my mind, I bought two sample ink sets from Goulet pens, one consisting entirely of inks that sparkle. They’re lovely.

Sketches

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I’ve been sketching every day, following the #sketchendeavour group on Instagram. Sketching can be fast and energetic or slow and deliberate. I’ve found a nice middle ground after a week; when I spend about 20-30 thoughtful minutes drawing by studying line and shape, I’m pleased with the end result no matter how realistic it is. A final once over for detail is needed at that point, and I put the photo away, shading, erasing, and adding lines where my eye finds gaps and I need more definition.

I’ve been practicing angles:

I’m also focusing on motion:

And finding lots of little cuties from the petting zoo: