Tag: Spectrafix

American Tree Sparrow on Claybord

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6”x6”, ink on Ampersand Claybord

Once again, I drew a bird on Claybord using ink (mostly fountain pens and Faber Castell Pitt Pens) and scratchboard techniques. This time, it’s an American Tree Sparrow, one of my favorite backyard birds.

I sprayed several coats of Spectrafix Final Fixative and then poured Natural Glass Varnish over it. When it comes to pouring, I’m a novice. I found it’s easier to tape the panel to a plastic cup so I can hold it and tilt it this way and that while pouring the varnish. I catch the excess in a container. This method creates a fairly thick layer, and it takes about five or six hours to dry. I always find some dust particles in the surface, but if I truly minded, I’d sand it and do another coat.

I tried to replicate the lighting from one day to the next to show the difference between unvarnished (left) and varnished (right), but it was a little darker today, but the color is a bit richer overall. The end result has a light gloss which I love.

Six Songbirds in the Christmas Spirit

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Ink on Stonehenge Aqua, 140 lb., finished with Spectrafix Final Fixative and Natural Glass and mounted on mat board.

In the end, these six ornaments turned out great–but I would not recommend using Spectrafix Natural Glass as an adhesive. As a varnish, yes, but as an adhesive, no. Most of the paper pulled away from the mat board, and I ended up using Tacky Glue instead. The star, the Cardinal, is still questionable because I never found a good way to put it on the tree, which is a gigantic Norfolk Pine we’ve had for years and years and is now 6′ tall (including the pot). I also made a Downy Woodpecker, which turned out great.

One last lesson to remember–getting these to dry flat is difficult was they stuck to the glassine paper. I had to carefully peel it off before they were totally dry, and as a result, some of these have a wavy look.

Categories: Art Ink Pen

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A Great Idea or a Big Mistake

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If a three-day art class exists on how to finish artwork the same way there are dozens of three-day art classes on how to create artwork, and if this class focused on pencil and water media works and taught the various ins and outs of framing, varnishing, alternative methods of varnishing, storing, and so on, I’d take it. It seems I only learn by failing, and my latest project is starting to feel like a big lesson in what not to do.

I started with a piece of watercolor paper (140 lb., Stonehenge Aqua) stretched on a watercolor stretcher board. I created a moody background in ink and proceeded to sketch six songbirds, thinking I’d create Christmas ornaments. I drew a woodpecker, too, and completed all of this drawing, which took a week of evenings, with a Cardinal for the “star.”

The drawing part I’m comfortable with, but then the questions begin. Can I use acrylic on paper and alongside ink? Should I use a fixative first? How will I “finish” these so they can be hung on a tree? After watching a very informative video about the Spectrafix products (Final Fixative and Natural Glass), I dove in. I sprayed fixative a few times before drawing in the gold ornaments and stars with an acrylic marker. I then brushed on three coats of Natural Glass over everything. After it dried, I adhered the birds to mat board and attempted to sandwich yarn in between for hangers.

Did it work? As it’s all still drying, tune in next time to find out…

Common Grackle

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16”x20”. The border was an experiment.

Probably best described as multimedia, I started with an Artist Bord by Ampersand and covered it with a coat of Golden Silverpoint Drawing Ground. My first thought was to use metalpoint, but after sketching in the birds on both, I switched to colored pencil. I used some blue ink for the backgrounds, and on the larger piece, I used an aluminum scrubber pad to place some blurry tree branches and a border.

9”x12”, I used Spectrafix Final Fixative and then Spectrafix Natural Glass varnish. This is an experiment as I don’t know how colored pencil will react to varnish. Time will tell.