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American Tree Sparrow on Claybord

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6”x6”, ink on Ampersand Claybord

Once again, I drew a bird on Claybord using ink (mostly fountain pens and Faber Castell Pitt Pens) and scratchboard techniques. This time, it’s an American Tree Sparrow, one of my favorite backyard birds.

I sprayed several coats of Spectrafix Final Fixative and then poured Natural Glass Varnish over it. When it comes to pouring, I’m a novice. I found it’s easier to tape the panel to a plastic cup so I can hold it and tilt it this way and that while pouring the varnish. I catch the excess in a container. This method creates a fairly thick layer, and it takes about five or six hours to dry. I always find some dust particles in the surface, but if I truly minded, I’d sand it and do another coat.

I tried to replicate the lighting from one day to the next to show the difference between unvarnished (left) and varnished (right), but it was a little darker today, but the color is a bit richer overall. The end result has a light gloss which I love.

Another Graphite Sandpiper

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9”x12” graphite on Stonehenge Legion

A second drawing of a Solitary Sandpiper, also in graphite. This one was done with Tombow Homo-graph Mono pencils. I think they’re my favorite set of graphite pencils, running a little harder than many, and they don’t smear quite as much, either.

My goal is to compare a few different pencil sets by drawing the same subject. Next, I’ll use a darker set, the Staedtler Mars Lumograph, which have more carbon.

Watercolor Workshop with Allan Servoss

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Once again I traveled to the Heyde Center for the Arts to take another three-day Allan Servoss workshop, this time in watercolor.

His watercolor work is amazing, and I left with a better understanding of design and color as well as a creative process that feels refreshing and, well, creative.

He had five main lessons with paintings that got progressively more challenging. We moved from brushwork to shape to negative painting, the entire time discussing color choices, paper, brushes, etc.

Notice the turtle in the painting above? I couldn’t help adding it. I could see a turtle so there it is.

The painting below of the ravine ended up being the one I did quite a bit of work on when I got home, and as a result, it looks as much like a drawing as a painting. I gave in and tuned to watercolor pencils for the details that I just had to add—tree trunks and roots and more trees.

We also had a chance to try painting on a varnished, textured surface. The paint sticks in a different manner, more like Yupo. For this project, we did our own designs, and I ended up with birds and a busy background. No surprise there.

It was a great workshop, and I am once again fascinated with watercolor.