Tag: workshop

Liz Clayton Fuller Watercolor Workshop

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9”x12” on Hahnemuhle bamboo watercolor paper.

I took an online watercolor workshop by artist Liz Clayton Fuller that was offered by the Cornell Lab of Ornithology. It sped by, and at the end I had completed painting a female Belted Kingfisher. I haven’t used watercolor much in the past several years, so I was pleased with the end result although my brush skills are pretty awful.

Although I mixed and mixed blue, I never got the slightly green, slightly brassy color I wanted.

I’ve never done an online class before, and I have a feeling it was huge. By the time I registered, there were over 300 others who had already signed up. Before the class started, I sketched the bird to get a feel for it, and I also did a sampling of my palette to remember what colors I had available.

I have a combination of Daniel Smith (tubes and sticks) and M. Graham watercolors. By far my favorites are Daniel Smith watercolor sticks. Such bright, pure pigments. If I ever return to watercolor painting, I’ll switch over to those.

Approximately 7”x10” on Arches hot press watercolor paper.

The next day I did a very quick watercolor sketch of the same image, trying to recall the basics from the lesson. Lots of light layers lead to a dimensional effect was what I came away with. It’s a good test of my patience. This image was a bit more cute than the other. I prefer the one I completed during the class, but it was a good challenge to try it again.

Watercolor Workshop with Allan Servoss

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Once again I traveled to the Heyde Center for the Arts to take another three-day Allan Servoss workshop, this time in watercolor.

His watercolor work is amazing, and I left with a better understanding of design and color as well as a creative process that feels refreshing and, well, creative.

He had five main lessons with paintings that got progressively more challenging. We moved from brushwork to shape to negative painting, the entire time discussing color choices, paper, brushes, etc.

Notice the turtle in the painting above? I couldn’t help adding it. I could see a turtle so there it is.

The painting below of the ravine ended up being the one I did quite a bit of work on when I got home, and as a result, it looks as much like a drawing as a painting. I gave in and tuned to watercolor pencils for the details that I just had to add—tree trunks and roots and more trees.

We also had a chance to try painting on a varnished, textured surface. The paint sticks in a different manner, more like Yupo. For this project, we did our own designs, and I ended up with birds and a busy background. No surprise there.

It was a great workshop, and I am once again fascinated with watercolor.

Colored Pencil Workshop with Allan Servoss

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I spent three fun, creative, and inspiring days attending a colored pencil workshop with the wonderful artist Allan Servoss, an amazing teacher with a wealth of experience to share. The workshop was held at the Heyde Center for the Arts in Chippewa Falls, a location I can’t say enough nice things about.

Colored pencil is a new medium for me, and I had been looking forward to learning from a master artist ever since I bought my pencils a month or two ago. He started with what seemed a simple task–draw a leaf–and he brought in leaves for us to choose from. I learned quite a bit about light layering, sticking with a limited palette, and adding shadows. My leaf was a bit busy as I fell back into my habit of cluttering up the image, but I was pleased with how it turned out.

The medium of colored pencil isn’t a fast one–I stuck with my leaf much of day one. Days two and three focused on negative space and using graphite over colored pencil. Even though Allan demoed and taught techniques, we also discussed the creative process, other artists and their works and writings, material selection, and the benefit of hard work throughout the entire workshop.

I started this iris drawing on day two but didn’t complete it until I got home. I think I muddied up the background, but I’m still happy with it. I began with a background “wash” of yellows and oranges, a process he demoed that takes a great deal of time. I lightly drew in the iris and then began the background, using the negative spaces as the darkest areas. Once I finished the iris itself, the main struggle was creating a dark background.

I’m hoping for a second workshop in the future, but in the meantime, I have more than enough to think about and practice.