Category: Art

Acrylic Markers

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Something about a pony brings out the creativity in me. This one measures 12”x9”. It’s on Yupo paper.

As my marker journey continues, I thought I’d give acrylic a try. Why? Opacity. Sometimes, I like to blot out layers, a little or even a lot. I also like permanent materials more and more.

I chose a set of 40 Arteza acrylic paint markers, mainly because of the price and the wide variety of colors. I learned a lot about these markers after four hours of painting/drawing this pony. Here are some tips:

  • Nibs: This set comes with a round nib in each marker but has replacement chisel nibs for all 40. I learned quickly that the chisel nib was perfect for me—quick laying down of color using the flat edge, and a fine line with the tip. Too bad I had tested them all with their original nib, but it’s incredibly easy to swap.
  • Initial paint flow: After watching a few YouTube videos, I was convinced I’d have to pump these markers a ton to get the paint flowing. Don’t. Simply depress them five to ten times, and then stand them upright. The paint will travel down the nib in a few minutes.
  • Chill out: Again, YouTubers led me to think one should depress the nibs not only numerous times to get paint flowing but also with a lot of pressure. You’ll likely ruin the nib if you do that, and it’s not needed. Just be patient and careful and it’ll work out.
  • Crazy amount of bright colors: These markers are probably used for crafting, drawing on metal, glass, stone, fabrics, etc., so the color choices lean toward cheerful, even fluorescent, not suited to my critters and landscapes. I’ve learned to put down a darker, solid color and layer it with the brighter choices. It’s one way to keep from using up my one brown, gray, and yellow ochre.
I removed all 40 nibs and replaced them with the chisel nib. Probably wasted a lot of paint.

I’m pretty enamored with markers, but I haven’t yet used them without also using a brush with some diluted paint. For the pony, I used Liquitex acrylic gouache for the background and shadows. Using a brush gives an expressive feeling I haven’t yet figured out how to achieve with just a marker.

Ice Pony

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India ink on Ampersand Claybord, 8”x6”

Still enjoying markers, again on a Claybord, mixing ink and scratchboard techniques.

Wool on linen using only the fly stitch, 5”x5”

And to continue the chilly theme, here’s an exercise I completed for my embroidery class. This lesson was on value.

Inktober

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This is the second 18”x12” painting I’ve done lately, which is big for me. I drew/painted theses two ponies on Terraskin mineral paper

Using India ink has been eye opening. It’s lightfast, permanent, and waterproof. It’s available in many colors, and it’s mostly transparent. It can be a stick, liquid in a bottle, or markers. I guess I never thought about how perfect it is as a medium.

This little fawn is on Ampersand Claybord.

I think it creates beautiful, glowing colors. Unlike watercolor, I don’t overmix and create mud. I wanted to add a little opacity as well as some white here and there, however, so I bought a bottle of Dr. Martins’s Bombay white. That, along with the few dozen Faber-Castell Pitt Brush Pens should hold me for awhile.

I sketched this pony very quickly and liked it so much that I completed the larger one above the next night. The second one is more true to the photo I took.

I’ve learned to work from light to dark as once the ink is down, it’s not possible to lift it unless working on a surface like Claybord or Duralar. I’ve also learned to use washes and glazes. I don’t quite know how such an art supply fiend like me has managed to miss ink as a medium all these years. I’m pleased I finally found it.