Tag: India ink

Ballpoint Pen Lightfast Test

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I keep forgetting to post this, but last year for five months I tested some of my favorite pens I use for art along with some of the inks I’ve been using in fountain pens, including the Indigraph pen which handles India ink. I think this simple test has proven what I suspected: pigment wins. If I want to draw with a ballpoint pen, it will probably stay in a sketchbook as most faded in direct sunlight with the exceptions of the Jetstream and Ballograf blacks.

The control was put in an envelope and kept in a second envelope in a closed closet. The indoor light test strip was in a north office out of direct window light. The south test strip was in a south window, and so it received a lot of light. I know that most people would never put their artwork in this situation, but it helped me understand whether or not a drawing would fade even a little bit over time.

The ballpoint pens I tested were Uniball Jetstream in black, red, and blue in 38 mm and .28mm nib sizes. I also tested Ballograf ballpoint pen in various colors. Because I sometimes use a little bit of water when I draw to pull out a hint of color, the right side of the test strips also had a small amount of water. The pens held up in indoor light but faded in the south window.

I also sampled Higgins Black Magic, De Atramentis Document, and Bombay India inks. I didn’t observe any fading with these inks.

Ice Pony

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India ink on Ampersand Claybord, 8”x6”

Still enjoying markers, again on a Claybord, mixing ink and scratchboard techniques.

Wool on linen using only the fly stitch, 5”x5”

And to continue the chilly theme, here’s an exercise I completed for my embroidery class. This lesson was on value.

Inktober

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This is the second 18”x12” painting I’ve done lately, which is big for me. I drew/painted theses two ponies on Terraskin mineral paper

Using India ink has been eye opening. It’s lightfast, permanent, and waterproof. It’s available in many colors, and it’s mostly transparent. It can be a stick, liquid in a bottle, or markers. I guess I never thought about how perfect it is as a medium.

This little fawn is on Ampersand Claybord.

I think it creates beautiful, glowing colors. Unlike watercolor, I don’t overmix and create mud. I wanted to add a little opacity as well as some white here and there, however, so I bought a bottle of Dr. Martins’s Bombay white. That, along with the few dozen Faber-Castell Pitt Brush Pens should hold me for awhile.

I sketched this pony very quickly and liked it so much that I completed the larger one above the next night. The second one is more true to the photo I took.

I’ve learned to work from light to dark as once the ink is down, it’s not possible to lift it unless working on a surface like Claybord or Duralar. I’ve also learned to use washes and glazes. I don’t quite know how such an art supply fiend like me has managed to miss ink as a medium all these years. I’m pleased I finally found it.