Tag: faber Castell

Inktober

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This is the second 18”x12” painting I’ve done lately, which is big for me. I drew/painted theses two ponies on Terraskin mineral paper

Using India ink has been eye opening. It’s lightfast, permanent, and waterproof. It’s available in many colors, and it’s mostly transparent. It can be a stick, liquid in a bottle, or markers. I guess I never thought about how perfect it is as a medium.

This little fawn is on Ampersand Claybord.

I think it creates beautiful, glowing colors. Unlike watercolor, I don’t overmix and create mud. I wanted to add a little opacity as well as some white here and there, however, so I bought a bottle of Dr. Martins’s Bombay white. That, along with the few dozen Faber-Castell Pitt Brush Pens should hold me for awhile.

I sketched this pony very quickly and liked it so much that I completed the larger one above the next night. The second one is more true to the photo I took.

I’ve learned to work from light to dark as once the ink is down, it’s not possible to lift it unless working on a surface like Claybord or Duralar. I’ve also learned to use washes and glazes. I don’t quite know how such an art supply fiend like me has managed to miss ink as a medium all these years. I’m pleased I finally found it.

More Marker Sketches

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This cow was sketched on my favorite paper, Stonehenge.

I love paint and I love pencil. Combine the two, and you probably get a marker, so what’s not to love? I’ve been using my Staedtler watercolor set quite a bit, like on the cow above. And I’ve ventured into the Faber-Castell Pitt Artist Pens. They use India ink, so the end product is permanent, water resistant, and lightfast. Both bird sketches are done with Pitt pens, and all sketches have a wee bit of a white gel pen here and there. Yes, I’m broadening my horizons and can now say it’s okay to use a white pen.

A goose on Stonehenge paper.
Cedar Waxwing on Duralar.