Tag: glimakra emilia

Curtain sash, sampler, and freezer jam

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  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
image from www.flickr.com

 

I reorganized my little home office, tossing out junk, weeding through old paperwork, organizing a closet, and giving away several boxes of books. I blame it all on my new Glimakra Emilia loom. Once I started weaving, I needed to have lots of things at hand, and so I had to organize. Plus, having such a nice loom in such a messy space just wasn't right. Although it kept me from actually weaving for awhile, the cleaning was worth it. I now have a super cute and organized work area… and I'll post pictures of my new space next time. (My battery gave out.)

Once my space was ready, I set up my loom again, warped it with some cotton, and made three curtain sashes for our bedroom. They ended up a little short, and so I braided some loops to fasten them. To make these, I warped about 90" of cotton, and tugged each weft strand tightly, and used my inkle shuttle, trying for a warp-faced band. Because the cotton was pretty sticky, it didn't quite work out, but it's more band-like than if I had gone for a balanced weave. They were 14" each, and I only had about 6" of warp left. When I improve as a weaver, I'll make these again, this time going for about 18". I'll also use a slicker cotton and brighter colors.

I then started a fun project, using that old Red Heart acrylic that's been hanging around forever. I decided to do a sampler, using a bunch of different patterns from Betty Linn Davenport's Textures and Patterns for the Rigid Heddle Loom. What an amazing book! If you have any interest at all in weaving on a rigid heddle loom, borrow or buy this one. I started with a warp-faced float pattern and next will be a honeycomb pattern. Seriously, it's like Christmas morning playing around with these patterns. Everything is fun and just what I wanted… except for that one mistake. (Don't look too closely.) These patterns are created by using a pickup stick (it can be a ruler or shuttle, just something longer than your weft) that sits behind the heddle. After you set it up for your pattern (sometimes under threads, sometimes over), you can create really beautiful patterns by incoporating the pattern stick into the regular up and down weaving. Here's a little video I found on Youtube.

For my first attempt, I had to read the entire introduction several times. It finally dawned on me that the pattern or pick-up stick can only be used on the slot threads. And once I realized that, I saw it was one of the first things Betty wrote about. It's funny how learning something new comes in bits and pieces, and then all of a sudden it comes together. I'm interested in seeing how the sampler turns out, because even though I dislike using the acrylic (it's worsted weight, a little too thick for a 10 dent heddle), it's actually pretty.

And finally, it's June! Strawberry jam time. Last year was the first time I made freezer jam, and this weekend, I made six quarts-worth. Lots of fun, and so nice in January…

 

Experimenting with rags

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  • image from www.flickr.com
  • image from www.flickr.com
image from www.flickr.com

 I just warped my loom with about 90″ of sport-weight Sinfonia mercerized cotton, and wanting to try something different, I did every other slot to stagger the warping threads. I “think” this makes the heddle closer to a 5 dent (it’s a 10 dent heddle). Because I didn’t do an even stagger, however, I’m getting a pattern, but I like it. I think I kept weaving too long with my scrap yarn. Still learning…

 

I wanted to try using some rags, so I found this pretty material in my closet, about a square yard, and I cut it into 1″ strips. I’m also weaving a row or two of the cotton thread just for variety. I think it’ll make a small mat of some kind, but it’s not very sturdy. To really use rags on a rigid heddle loom, I’ve read you need to pack the rags with a fork instead of relying upon the heddle. We’ll see how it goes. If I like how this looks, I may end up tearing up some more rags, warping the entire loom, and making a bathmat. 
What I’m not certain of is what I’ll keep weaving on this. I assume this mat will bea about 8″ or so… that leaves me with a really long, narrow, staggered warp. Ummmm…. funny looking scarf, maybe?

 

First weaving: shawl

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Glimakrashawl3

After finishing a small sample with my new 19″ Glimakra Emilia, I warped the entire width using Berroco Vintage. I used the direct warping method and the warping peg. Stretching from the back of my loom to the opposite side of my workspace gave me a 91″ warp–probably a little short for a shawl but an okay length for the likes of me. When I want a longer warp, I’ll have to move my loom into the dining room.

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I used blues and browns, maybe finding some inspiration in the robin’s nest outside our door. Or maybe because I like blues and browns. (Pretty much everything I make is either blue or brown!)

Nest

The warping took about an hour and used up about 500 yards of yarn. I was a little worried, having only about 200 yards of blue left, and with good reason. By the time I ended the weaving, I only had about one yard of blue remaining. That’s cutting it close! Here’s a little video of the shawl coming off the loom:

I’m pleased with my first effort. My selvedges are okay for a first project, I think. I was going for a balanced weave, but when I measured a square inch here and there, I always came out with 10 warp strands to about 7 or 8 weft, so the shawl is a little heavier than I planned. I now know if I want a lighter shawl, I’ll need to use a little bit thinner yarn. It does drape nicely, though, and it’s warm.

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Now, I need to think about finishing. I braided one side, but I don’t like it much, so I’m considering unbraiding them and just cutting it to about a 3″ fringe. I also want to hand wash it and press it to see what it looks like all finished. The beginning of a piece (warping, sleying, etc.) and the ending (braiding, washing, pressing) take as long as the weaving!

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My Glimakra Emilia has arrived

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The FedEx delivery person was kind enough to leave my new loom safe in a plastic bag because it was raining yesterday. I was happy because the loom stayed dry. I was even more happy to realize the loom was already put together. For some reason, I thought I had to assemble it.

The pictures aren't the greatest but they show the box, the loom in the box, the loom outside of the box, and then the fairly awful warping process. (Awful because I chose a linty cotton… I know, I know…) But I did warp about 6' of the cotton and even started to weave a little bit. It took me about 1.5 hours, from opening the box to warping to starting to weave.

I know one thing. I LOVE my new loom. It's sturdy and strong. The metal ratchets and pawls are awesome. There is, however, a little mystery with this loom. I'll share that tomorrow, after I do some detective work.

 

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