Category: Tabletop Loom

Four O’Clock Pattern, Time to Start Over

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After spotting this delightful 1932 article on creating a four-harness design using a two-harness loom, I knew I had to give it a try, and, naturally, I chose the most intricate pattern in the article, Four O'Clock (page 13). The only problem was, I didn't know how to warp it, or what to use to warp it. I didn't know how to sley the pattern. I wasn't at all certain how to read the treadling pattern, or what a treadling pattern was.

So, of course, I closed my eyes and jumped right on in, chosing a black cotton warp of size 10 cotton (Aunt Lydia's). The article used a cotton rug warp, which I think is thicker, but when you're going back to 1932, who knows? I warped about 8" wide on the Kessenich two harness table loom, carefully following the pattern. Instead of a plain weave sleying, where you do a front heddle, a back heddle, a front, a back, etc., this pattern was kind of nutty. You sley about seven front heddles in a row, followed by a bunch of back heddles, and then some front, some back… it eventually repeats only with the back ones swapped to the front and vice versa. It looked mighty odd when I finished, but I was still game. I tied on and started weaving with some scrap acrylic.

It was at that point that I realized I truly didn't understand what it meant to read a draft. It states something like Treadle 1 l., Treadle 2 d., repeat 4 times. So, I wove thinking it meant use the light color once, the dark color twice, and this is what happened:

image from www.flickr.com 
Interesting, but not quite right. I unwove, took another look at the instructions, and had a flash of insight. Treadle 1 meant the front harness. Treadle 2 meant the back harness. So, in fact, it reads that the l (l=light color) goes through when the front harness is up. The dark color follows when the back harness is up. After my little realization, the pattern started coming through, albeit in an exaggerated manner:

image from www.flickr.com 

I need to unweave once again and start over with a smaller gauge of yarn. The point I stopped was only the middle of the first set of "squares," and it should be much more compact. I'll be back with some type of result, good or bad. If it's good, I hope to be able to come up with a way to do this with a rigid heddle loom.

Plarn Tote

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  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
image from www.flickr.com

Plarn = plastic bags cut into strips and used as yarn. Plarn is fun, and it's green!

I used the 10 dent heddle on the Kessenich two-harness loom, warping every other slot–70 ends total –with white crochet cotton for the warp, bought for a quarter at a thrift store. I probably used about ten cents worth. Then, I cut ten plastic sacks into strips, using a tutorial I viewed on Youtube. The red handle is some acrylic I spool knitted on a little crank knitter. So, all in all, my weaving cost me about fifty cents. Ritzy!

I wove 20 inches but now wish I would have taken the time for another five to ten, because although this little tote is cute, it's not really useful. It's probably just big enough for a few DVDs or one or two books. I don't plan on lining it, but I am planning on another plarn tote, this time bigger.

Two Harness Patterns

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Last week, I was thinking that maybe, just maybe I'd get bored with a two-harness loom. I mean, using a rigid heddle + another heddle makes a three or four harness loom, which means patterns like twill are possible.

But with the Kessenich two-harness table loom, I'm kinda stuck with two harness. I had thought that meant plain weave, aka tabby.

So, I challenged myself to find some patterns and so I wandered over to Handweaving.net, clicked on the Draft Archives, clicked on search, and then asked for all the drafts with a minimum of two harnesses and a maximum of two harnesses. Guess how many results I had? 772.

Even if many of these are simply repeats of log cabin or stripes, I bet you anything I can find enough to keep myself busy with only two harnesses!

It Weaves! My First Kessenich Project

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  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
  • image from www.flickr.com
image from www.flickr.com

 

I took an old warp I had cut off the Glimakra Emilia after abandoning a project awhile back, and I put it on my new-to-me Kessenich two harness table loom. I don't actually know how to warp a table loom, but I made a guess (and checked in a book). It wasn't picture perfect but somehow it worked. The back beam was messy and tangled, I started too far over to the right, and yet it all wove up very nicely.

I returned to my stash of vintage embroidery floss for the weft, using 20 tiny skeins of blues. It created a striped effect. Personally, I don't know if I would have gone out of my way for a multicolored warp and striped weft, but it all came together, and now I have a 10" x 35" piece of woven fabric. It may end up being something someday (a pillow… a bag…), but for now I'll call it a sample and leave it at that. 

It took four hours to warp and weave this. The loom isn't very big, and yet it's tall enough on a table to have to stand and weave, something I used to like to do with the Emilia until I put it on a stand. I loved using the loom. It could be 40 or 50 years old, but it works wonderfully. I can't wait for the next project.