Category: Pastel

Rediscovering Charcoal

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Every so often I rediscover a medium I was once fascinated with. This time, it’s charcoal. I splurged and bought Nitram charcoal to add to my collection of vine charcoal and compressed pencils. It’s nice–I think it’s a bit more solid than vine and not quite as hard as compressed. I also bought a wonderful book of prints, A Treasury of American Prints (1939), edited by Thomas Craven, with the idea of copying a wide range of styles using ink, graphite, or charcoal. Here’s a first one of an Edward Hopper print called East Side Interior.

9″x12″, charcoal and white chalk on Stonehenge Kraft Paper

I also completed a Khadi sketchbook with these three charcoal flower sketches. I started thinking about charcoal and the wonderful moodiness of it after I re-watched an inspiring interview/demo with artist Kathleen Speranza. She paints a lot of roses, using graphite sketches for structure and charcoal for more of the feeling. Both are in preparation for the painting, so her sketches aren’t complete and yet they’re stunning. My attempts are a bit clunky, but I think I”m settling into a new way of using charcoal where I don’t ask it to be a sharp, graphite pencil and I’m happy that it isn’t paint. I’ve been spraying all of these with Spectrafix to keep smudging at bay.

Oil Pastel Urban Landscape

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8″ x 10″, oil pastel on wood panel

I’m challenging myself to draw more freely and not rely so heavily on photos. I always use my own reference photos and generally draw with my laptop in front of me, referring to the image and zooming in to analyze details. Some part of me has had enough of that approach, however, but I know I’m not an imaginative artist and prefer references. So, I went back in time, thinking about film photography and considering using references that are small. Perhaps they capture the composition, the season, a particular mood, but they’ll leave room to improvise and loosen up a bit. I’ve leaned toward this more and more this past year with my drawings, but I decided to test myself.

I bought an Instax wide instant camera, and now I can take photos that can’t really be blown up to obsess on detail. The quality is mediocre, but the process is delightful. Having the photo develop right in front of you creates a certain kind of nostalgic magic. Although some photos turn out very nice, especially with bright lighting, most are kind of crooked and murky. I know I could also rely upon a plein air sketch, but I’m not quite that ambitious. Yet.

With this particular drawing/painting, I put down a coat of Gac100 as a sealant and then a coat of black gesso so I’d have a dark layer. I covered everything with a moody layer of oil pastel and scratched out my drawing. Everything that’s dark is scratched out.

I love the idea of using the scratchboards that come with a pre-applied layer of black, but that process is to scratch out highlights. I’m more interested in scratching out the darkest areas. I’m now in a period of exploration. What’s coming in the mail? Water soluble beeswax paints.

First Ever Oil Painting

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I’ve used watercolor, colored pencil, soft pastel, oil pastel, charcoal, graphite, and ink, but never oils. I bought five R&H Pigment Sticks in blue, red, yellow, black, and white, not knowing what to expect. I knew they act like oil paint but in a stick form so can be used a little more like a pastel. However, all the examples I found of oil sticks were bold and abstract while I knew I wanted something more realistic. I gave it a try with the first coat going on heavy and the rest with brushes and clay shapers. It turned out okay for a first try, although the trees were less than stellar.

8″x10″, oil stick on canvas board

Categories: Art Oil Pastel

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Oil Pastel on Wood

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8″x10″, oil pastel on prepped wooden panel

A very bright sky and foreground and some interesting, semi-circular barns. I prepped the wooden panel with two coats of Gac 100 by Golden as a sealant and then two coats of gesso, leaving brushmarks. The buildings created the composition, so I felt like all I had to do was capture it.