Sometimes I wonder if I’ll ever paint anything but birds. They’ve fluttered around my brushes and pencils and paper for the past few months, and now that I’m pairing them with Inktense as a medium, they’re not showing signs of flying south.
The Bluejay and Goldfinch photos come from Paint My Photo yet again, a wonderful place to find all those closeups you can’t take yourself.
Although I’m pleased with the rainy day Bluejay, I like the colors in the Goldfinch painting. Inktense is responsive to layering, so anything that looks plain or washed out can be strengthened with a quick second or third gazing.
Inktense takes some getting used to, but I’m becoming more and more fond of it as a pencil and paint medium. The pencils can seem overwhelming when water is added because their color is so intense. The blocks can seem difficult to use because they don’t spread out in water like watercolor and they tend to granulate.
Now that I’m spending more time with them both, however, I’m really pleased with my paintings. I can layer colors over other colors and not end up with mud. I can top off an area with pencil to get thin lines and highlights.
I really love the painterly effect, too, especially with this little wren. I put more effort into the background and branches with that one, too. With the crow, I nearly skipped the background, but I focused on creating an inky black with emerald green, gold, and blue highlights.
Yes, it’s a still a bird but at least I broke my streak of posting fountain pen sketches. This time around a used a Wikimedia Commons photo and my Inktense pencils and blocks. I’ve used Inktense a lot but almost always as a background with pastels or colored pencil layered over it. I had forgotten how wonderful they are to use from beginning to end. They layer beautifully, create interesting washes, and the white can be as translucent or opaque as needed–a real treat for someone who’s always struggling with saving white paper for highlights.
I love how this crow turned out and wish I would have gone to the trouble to use better paper with this one.
It stands to reason that something with wax in it will melt. Colored pencil as a medium is new to me and I’m still figuring things out, so I was pleasantly surprised one day to discover that my pencils seemed brighter and more vivid than usual. They also filled the texture of the paper evenly. What was happening?
We were having a heat wave compared to the cold winter weather. The temperature inside the house was over 77 degrees Fahrenheit, and my pencils were ever so slightly warmed up compared to normal, so the wax was melting with a light touch. This got me to thinking about things like encaustic art, and I came across a clever product created by artist Ester Roi called the Icarus Board, a heated surface meant to melt the wax in your pencil or oil pastel to produce smooth and rich color.
Icarus Boards are an investment, however, so I decided to try before I buy, and I took out a heating pad, set it on high, and started to color. I immediately noticed a difference in how the pigment acted. I didn’t have to do more than two layers to completely fill the surface. I haven’t spent much time using the heating pad, however, as a hard surface would be preferable, and I didn’t find having something like a baking sheet over it worked. Maybe a different heating pad that gets warmer would be an improvement. However, if someone wanted to get me an Icarus board for Christmas, I would hardly complain.
Some colored pencil artists use the pencil as a pencil, and it looks lovely and serene. The tooth of the paper shows, and it has its own distinctive look. Other artists like to fill in all the light color on the paper, making the pencils resemble paint. They either burnish by using multiple layers and firm pressure, use a blender pencil (usually a clear or gray wax), or use a solvent. I’ve tried all of the above, and so realize I lean toward using a pencil as a pencil or add in a blender pencil from time to time. I don’t care for solvents at all, and burnishing makes my hand and fingers ache even into the following day. However, something like a heated surface may help if I ever decide to head in other directions.
Another option is to use an underpainting of a different medium and draw with colored pencils over it. I’ve tried this many times and enjoy it. I recently tried the amazing tutorial by Ester Roi of four pebbles to get that heated look. My underpainting was Neocolor II, and I used some Derwent Coloursoft pencils over the top. I’m convinced I can achieve a blended look with Neocolor II pastels as they provide a rich, smooth background once blended out with water. I know a heated drawing surface is a superior tool, but in the meantime, I’ll play with crayons.