But I only took one picture. I wove a very quick band out of black crochet cotton and a variety of purple and lavender embroidery floss. Some of the strands were doubled and some were tripled. I really like the stained glass effect it produced. I also made another long band I cut into some bookmarks, but honestly, it wasn't really worth a picture.
I’m so pleased with the Schacht Inkle Loom I found in a thrift store this week. Actually, my husband spotted it as I was leaving. He thought it looked kind of loom-like and asked me what it was. 🙂
I had tried weaving some Sami bands on the little Peacock loom, but it was only working so/so. I had to take off several pieces of the loom, and that didn’t seem quite right. I never considered getting a regular-sized inkle loom, however, because I did have a mini one that was really cute and I never used it. I gifted it to someone and figured that was the end of my band weaving. But never say never!
I have to admit, weaving on a decent-sized inkle loom is great. I knew how to tie the heddles and warp it already, and so I picked a very simple pattern from the Helene Bress book that came with it, and away I went, weaving a ladder band. For anyone who is interested, Jane Patrick has a great how-to video on warping and weaving an inkle loom that can teach the basics.
What fun!
(The inkle loom is not very big, but it looks huge next to the tiny Louet in the next picture. I’m warping the Louet for a rep weave project.)
I used the Peacock loom again as a frame and the 10 dent Beka heddle to weave another Sami patterned band. The lilac color is embroidery thread and the white is Cascade Ultra Pima Cotton.
Someday I'll get tired of taking so-so pictures with my iPod and go back to my "real" camera. In the meantime, all I have to show of the latest experiment is this blurry picture of an attempt to weave a band using a rigid heddle (this was the 10 dent Beka) and the little antique Peacock loom. I had always wanted to refurbish the Peacock loom because it's so tiny and portable (12" width), but I failed to get up the energy to tie 100 string heddles. Instead, I ordered the smallest Texsolv heddles (5 7/8", I think) which were too long. So, I need to either shorten them somewhat, the length and the eyes are too big, or tie those 100 string heddles! Either way, that means this little loom is sitting empty… or is it? After reading up on Sami-style weaving, I warped the rigid heddle and tied it onto the Peacock loom, using only the warp and cloth bars. I removed the heddles (carefully!) and also the reed, which is held in very lightly by two small screws. I'm considering removing the top bar, too, because it's in my way and I happen to be enjoying weaving bands. But then I need to sit back and wonder if it's better to put the Peacock loom back together and pass it along to someone who will tie those 100 string heddles, or if it's better to keep it in pieces and use it as a cradle or box loom. Decisions, decisions…
I couldn't make heads or tails of the pattern until I realized the pattern strands (which are in the center and double the thickness of the other strands) are sometimes raised from beneath, and sometimes lowered from above. This may not make any sense, but once I figured it out, I knew how to do this style of weaving. There are some really wonderful band weaving heddles out there with fancy double holes and smaller slots, but if you want to try it, I suggest using a simple rigid heddle and a pattern. You don't even need the loom, as traditional weavers do this backstrap-style. If you'd like a place to start, I suggest you try The Braids and Bands Yahoo group. It's free but you do need to join. Try the Files section to find a series of PDF handouts by Susan Foulkes, who recently held an online course for Sami style band weaving.
Now that I've got the hang of it, I want to use a finer thread, more colors, and a more intricate pattern.